When was sonia rykiel born

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We'll assume you're ok with this, but you can opt-out if you wish. Accept Read More. By Alina Grigoras Last updated Nov 11, Share Facebook Twitter Print. That which is hateful to you, do not do to your fellow. That is the whole Torah; the rest is the explanation. Ethnically a Polish-Romanian Jew, Sonia Rykiel was born in Neuilly a commune in the western suburbs of Paris, France, the eldest of five daughters of a Polish mother and a Romanian father.

At the age of 17, she was employed to dress the window displays in a Parisian textile store. In Sonia married Sam Rykiel, owner of a boutique selling elegant clothing.

In she just couldn't find any soft sweaters to wear when she was pregnant. So she used a supplier to her husband from Venice to design her own. Whereas, Sonia was a completely different person in nature and looks.

When she was seventeen years old, Rykeil found a job in a Parisian clothing store where she had to dress the mannequins. In , she married Sam Rykeil who owned an apparel boutique. Hence, she contacted a supplier in Venice via her husband and designed sweaters by herself. Since then, Sonia has continuously experimented in order to expand her fashion offers. Later on, she became the first to add seams on the exterior of a garment.

The early s were a time of massive cultural upheaval when many social institutions underwent major changes, including haute couture. With her extraordinary mass of red hair, pale complexion, and trademark black clothes, she typified the look of Left Bank bohemia. It soon became apparent that Rykiel's strength was in knitwear design, and she helped to transform a medium previously dismissed as old-fashioned into one associated with covetable items for the young.

Offering her clothes in such fashionable New York stores as Henri Bendel and Bloomingdale's, Rykiel was nicknamed the "queen of knitwear" in Rykiel created her signature silhouette by cutting the garment high in the armholes and close to the body, with narrow sleeves that elongated the torso. Using a distinctive palette of colored stripes against a backdrop of black, her designs for knitwear often involved such innovative details as lockstitched hems, reversed seams, and carefully placed pockets.

All her clothes tended to be lighthearted with an element of wit, whether in the use of contrasting textures and shapes or in the detailing.