Still, the band was able to retain most of its work, including sessions with drummer Josh Freese, along with the late-Beatles collaborator Billy Preston in one of the keyboardist's last recordings. The finished album, Any Port in a Storm, would arrive in , with a deluxe edition following in The song would top Billboard's Alternative Songs chart just before the summer of They followed up two years later with Cabin by the Sea and later recorded an acoustic version of the title track.
This, in turn, led to an entire acoustic album in called Home: Phantoms of Summer. Dirty Heads' next album, Sound of Change, would prove to be a breakthrough for the now-veteran band, debuting at number eight on the Billboard Top while topping the Independent and Alternative Albums charts upon its May release. Building on their renewed success, Dirty Heads enlisted a bevy of industry hitmakers to work on their self-titled follow-up, which -- thanks to its mainstream appeal -- again charted high on the Billboard Top The following year saw the band drop its sixth studio album, Swim Team, featuring the singles "Vacation" and "Staloney.
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Eric is not a man of many words. He really vocalizes himself through music a lot of the time, even when you know him very well. Everybody always wants something from him. All he ever wants to do — any time of the day, any day of the week — is jam. I think he saw something in me he kind of related to.
So I think that gave him the idea. At the time of all that, I was 18 years old. I kind of learned that lesson the one time I made the mistake of asking a musician how their taxes worked. The Man is always watching. The IRS, they go through your Instagram. If I was an IRS worker and I got assigned to your case and you were audited, first thing I would do is go check out your social media.
Tell me about the early days when you first joined the band. It was definitely crazy. The first year of Sublime [involved] a lot of parties — a lot of alcohol and a lot of smoking weed, just meeting so many people.
But it was college in its own right. The biggest lesson I learned, which sounds pretty mundane to most people, is that it really is the power of your circle. Fame is a weird thing. People are looking at these songs that have always existed in culture and starting to appreciate them in this active way. You know how pop culture works in sectors, right? You have to buzz here, buzz there, bubble here, bubble there.
And then you can then start to make big ripple. So we put out a single that did really well for us last August, and this was right around the time that they were just wrapping up a Sublime documentary that eventually debuted at Sundance. I get to meet people every day on tour, talk to them, and really get to see how this music affected their lives. I get great joy out of that.
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